Elizabeth Fazzare: How did you get started to construct your individual collection?
Carolina Cucinelli: I am a great artwork lover. When I was in superior university, I made the decision to examine artwork due to the fact I required to master about the background of artwork, from classical to contemporary art, and I also desired to greater discover distinct artistic procedures. The passion for gathering was also handed on to me by my father, who has been accumulating art, specifically classical art, for many years.
EF: What was the initially piece you gathered?
CC: It was L’Annunciazione ad Abramo by Artemisia Gentileschi, an remarkable painting that was presented to me by my father and previously belonged to his assortment. I am very connected to this painting, not only for its creative worth and beauty, but earlier mentioned all for the values it stands for. Gentileschi was a really gifted painter who lived between the close of the 16th and the center of the 17th century. I consider that her everyday living can make us replicate on the function of women of all ages and feminine artists, a incredibly topical situation for our society today: she experienced pretty agonizing activities, nonetheless she hardly ever stopped fighting for her artwork and her dignity.
EF: Is there a defining topic to your selection?
CC: I like to juxtapose parts of extra classical art with modern day works, specifically black and white photos. I really like the contrast sparked by the proximity of unique kinds and eras because I think that it can constantly lead to something new, intriguing and strange.
EF: How do you locate the realtionship concerning trend and artwork? Do they inspire just about every other in your perform and art collecting?
CC: Art and vogue are extremely intently joined I would say they are inseparable. For me, manner is a really strong expression of artwork without having filters and it requires no interpretation for the reason that it goes straight to the heart. Like many art types, vogue is imagined with the thoughts and understood with the arms: I am wondering of the craftsmanship driving our collections, these as the Opera knitwear creations, garments designed completely by hand by our remarkable craftswomen. Typically, the inspiration for new collections arrives from an exhibition or a visit to a city… artwork and lifestyle are two elementary elements in our collections.
EF: What artists are inspiring you proper now?
CC: While I adore getting new expertise, I also love heading again to my “old loves” I’m imagining of the remarkable paintings by Caravaggio, or the drawings by Leonardo da Vinci. These artists are always current in my individual temper boards, just as black and white images also has a whole lot of area. The genius of photographer Peter Lindbergh is a consistent inspiration. I love his design, the electricity of the looks, the plasticity of the bodies… I think he interpreted manner in a very unique way.
EF: How does Umbria itself affect your accumulating?
CC: I am pretty attached to my land. Umbria is abundant in historical past and culture—just think of the good painters of the Umbrian College: Perugino, Raphael’s master, Piero della Francesca and Pinturicchio. And I also like the simple fact that art and craftsmanship have constantly long gone hand-in-hand in our area. I’m imagining, for example, of the Templar Church of San Bevignate in Perugia, which dates back again to 1200the church stands on leading of a Roman advanced: under the nave, archaeologists identified some basins all through excavations that were being allegedly applied for processing fabrics!
EF: What is most remarkable about ceramics to you?
CC: I like to feel that ceramics are cast by hand, slowly and gradually getting form on the press below the eyes of the craftsmen. In Umbria, we have a extended, prosperous custom of working with ceramics, which is why we have resolved to spend tribute to it in our way of living collections through a line of ceramic products in the colors of the earth and with irregular particulars that make each and every piece unique.
EF: Does the artwork market assistance your discovery?
CC: The artwork earth is always aspect of my each day inspiration and study, primarily when I am traveling. I think that artwork and artists are a wonderful way to learn about distinct cultures, eras and nations around the world to broaden my horizons and to feed my curiosity and drive for discovery.
EF: What is the following piece on your radar?
CC: My partner and I have commissioned a sequence of 50 percent-busts for our personal selection that function some vital figures and personalities of modern instances, this kind of as Mahatma Gandhi and President Barack Obama. I like the juxtaposition of the historical strategy of sculpture and the subjects being up to date folks: it sparks a pretty appealing contrast in fashion.
EF: And what is the very last piece you ordered?
CC: Really, it was a gift: a stunning portray to which we are pretty connected. It is Saint Andrew by Giovanni Santi, a painter who lived in the second 50 % of the 15th century and the father of Raphael.
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