The Day-to-day Pennsylvanian is a scholar-run nonprofit.
Remember to assist us by disabling your ad blocker on our web page.
Huey Copeland, BFC Presidential Associate Professor of History of Artwork, was awarded the 2024 James A. Porter and David C. Driskell Award in African American Art Historical past for a quantity on modernism and Black artists.
The Porter/Driskell Award acknowledges scholarly contributions on historical themes associated to African American visual culture, according to the Penn Arts & Sciences information post. “Black Modernisms in the Transatlantic Environment,” which Copeland co-edited, compiles essays from 9 prominent scholars and practitioners in the area.
Copeland edited the volume alongside Steven Nelson, dean of the National Gallery’s Center for State-of-the-art Research in the Visible Arts. In their essays, scholars study the work of Black artists such as photographer Roy DeCarava, painter Norman Lewis, and sculptor Augusta Savage. The reserve seeks to dismantle prevailing modernist narratives in the Western artwork planet and progress in direction of a additional intersectional potential for art record.
Copeland’s do the job explores African/Diasporic, American, and European art from the late 18th century to the current, with a unique target on “articulations of blackness in the Western visible subject.” He holds a secondary appointment in Africana Scientific tests and serves as an editor of the art criticism journal October. He also curates exhibitions and international conferences.
The David C. Driskell Middle for the Review of Visible Arts and Society of African Americans and the African Diaspora was established in 2001 to honor David Driskell, a major artist and professor at the College of Maryland’s Section of Art. The heart aims to maintain African American visual artwork and give an mental hub for these broadening the industry of African diasporic studies.
In 2019, the High Museum of Art awarded Copeland the David C. Driskell Prize in recognition of his contributions to the industry of African-American artwork background. Copeland, who was a professor of art history at Northwestern College at the time, acquired $25,000 to assist his scholarship.
