Pittsburgh museum places ugly Italian painting in modern day context | Visible Artwork | Pittsburgh

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&#13 &#13 Photograph: Courtesy of The Frick Pittsburgh&#13 &#13

&#13 Artemisia Gentileschi’s “Judith Slaying Holofernes”&#13

Other than staying a person of the number of females to secure her place in the historic artwork entire world, Italian Baroque painter Artemisia Gentileschi endures as the visionary behind “Judith Slaying Holofernes,” one particular of the most gruesomely placing paintings at any time shown. Produced in the early 1600s, the Aged Testomony story depicts the beheading of an Assyrian standard, in all its gory detail, by a Jewish widow, an act that would help preserve her fellow Israelites. The do the job is now regarded by lots of professionals as a touchstone of feminist artwork.

The Frick Pittsburgh will convey the portray into the modern age by aligning it with a similarly titled work by a celebrated Black American modern day artist. &#13
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SLAY: Artemisia Gentileschi & Kehinde Wiley will pair “Judith Slaying Holofernes” with a operate by Wiley, a painter most effective regarded for his hyper-real looking portraits of Black males and women, together with his 2018 portrait of former President Barack Obama. A  press release describes the demonstrate — on view in The Frick Artwork Museum from Sat., April 16 by July 10 — as raising “critical concerns of id, electric power, inequality, oppression, and what constitutes self-protection in an unjust war.” &#13
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As opposed to Gentileschi’s painting, Wiley’s “Judith Slaying Holofernes,” which was painted in 2012, reveals a Black girl in a flowing robe greedy the severed head of Holofernes, all of which is established against a single of the painter’s signature floral backgrounds.&#13
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“These two artists, their journeys, and their stories are vastly diverse. And yet there is so significantly in typical in their ordeals,” says Pittsburgh-primarily based artwork historian Kilolo Luckett, who coordinated the present with the Frick’s main curator Dawn R. Brean. “We are programmed to glance at variations in an unhealthy way the exhibition is an chance to imagine in a different way — and to mend and mature together.” &#13
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&#13&#13 &#13 simply click to enlarge&#13 &#13 Kehinde Wiley's "Judith Slaying Holofernes” - PHOTO: COURTESY OF THE FRICK PITTSBURGH &#13

&#13 &#13 Image: Courtesy of The Frick Pittsburgh&#13 &#13

&#13 Kehinde Wiley’s “Judith Slaying Holofernes”&#13

The display was co-organized by the Museo e Real Bosco di Capodimonte, the North Carolina Museum of Art, and The Museum Box. Gentileschi’s painting was borrowed from Museo e Actual Bosco di Capodimonte, while Wiley’s do the job was borrowed from the North Carolina Museum of Artwork.

“We are extremely grateful for the option to showcase these two extraordinarily potent masterworks in a hardly ever-ahead of-noticed pairing,” states Dr. Elizabeth E. Barker, executive director of The Frick Pittsburgh. “Great performs of artwork, like these two paintings, choose us exterior of ourselves and have the ability to adjust the way we see the planet.”&#13
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In addition to staying on show, the museum will also host a range of activities created to set the paintings and their artists in a historical and social context. These incorporate a dialogue led by Hebrew Bible scholar Caryn Tambler-Rosenau, a screening of the 2014 movie, Kehinde Wiley: An Economy of Grace, and a discuss with Gina Siciliano, author of the graphic novel I Know What I Am: The Existence of Artemisia Gentileschi.&#13
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“When we explore a work of art with many others, the encounter can be even richer and additional meaningful,” suggests Barker. “This is a person purpose why museums are taking part in an increasingly critical position in fostering discourse and can even serve as agents of social improve.”


SLAY: Artemisia Gentileschi & Kehinde Wiley. Sat., April 16-July 10. The Frick Artwork Museum. 7227 Reynolds St., Point Breeze. Free of charge. Timed tickets essential. thefrickpittsburgh.org/exhibitions

Maria Lewis

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